“As Jo Spence stated in Cultural Sniping, “It is not easy to make your journey through trauma and disease the subject of your own camera. I am literally putting my trauma on the wall. It isn’t an interpretation: it’s the trauma itself or an extension of it.” (1995:139-214).
The photographs are a mediated rendition of the event and through photographing and editing, the photographs have two dimensions – having the trauma and then photographing it. Consciously working with my trauma through photographs and exploring depictions of the body has helped the trauma to become real and acceptable.
Photographs often imaged Hannah Wilke naked, and as she happened to be accepted by the media ‘norm’ as beautiful, she was constantly accused of narcissism by critics. Yet, it is the critics and the media who had put her looks on a pedestal. She exposed a truth, which is like nudity, uncovering the raw experience, and this is our site of original subjectivity.
What I share with her work ultimately is a celebration of the body as opposed to a commiseration of suffering or abjection. We both seek to empower ourselves and others by laying bare the truths of disease.” ~ Tracey Derrick